28.2.11

Ditch 'School for Scoundrels'

"School for Scoundrels" is "Hitch" meets "Napoleon Dynamite" - a sort-of-romantic comedy that tries too hard and comes off as too unbelievable to provide more than a handful of cheap laughs. Roger (John Heder) is a New York meter maid with chronic panic attacks and a large collection of self-help books. He has a crush on his beautiful grad student neighbor, Amanda (Jacinda Barrett), but can't talk to her without being mocked by her snobby roommate (Sarah Silverman).

Roger's such a loser that he's even rejected by the kids he volunteers to spend time with in the Big Brother program. After being rejected by the third kid in a row, he seeks advice from a friend, Ian (David Cross), about how to be less of an overall loser. Ian offers Roger the phone number to a confidence-building class that helped him go from being a total loser to being able to find dates on the simple luck that he looks a bit like the singer Moby.

Suddenly, Roger finds himself taking a course on how to become a lion under the tutelage of the abusive and greasy "Dr. P." (Billy Bob Thornton) and his violent and anally fixated assistant, Lesher (Michael Clark Duncan). Dr. P. seems to be trying as hard to teach the class full of wishy-washy guys to be liars as lions. One of his predominant pieces of advice for the class is "lie, lie and lie some more." Roger begins to rise to the head of the class when the men head out for a hilarious paintball battle and he stands victorious over Lesher.

Unfortunately, as Ian warns Roger too late, Dr. P. is competitive against his top students. Just as things are starting to look up for Roger, including a dinner-date with Amanda, Dr. P. pulls out all the stops in a competition that includes everything from a violent tennis match to a spray-painted dog. If the stunts weren't so over-the-top and unbelievable, they'd be much funnier.

Director, producer, and writer Todd Phillips took things just a bit too far, which is unfortunate because the overall idea is entertaining. Thornton and Heder have great chemistry - but neither were really the right choice for the individual parts. Thornton is too stiff as Heder is too "Napoleon Dynamite." Ben Stiller provides a few laughs in an interesting role, but he doesn't come close to saving the film.

While "School for Scoundrels" might make a decent weekend rental in the snowy winter months, it isn't worth the trip to the theatre (even for a matinee). Personally, I'd be more interested to try and find the 1960 British film of the same title, which might have a chance of being funnier and more plausible.

Originally published in The Chronicle in October 2006 as Jade Lee Culberson.

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